
Born - (Maurice Cole) Liverpool, Xmas Day, 1944
Died - London, 4th April 1995, (of an Aids related illness)
One of Britain's most influential DJ's and later television comedian.
Born into a middle class Liverpudlian home, the young Maurice Cole became fascinated with the wireless. Just as much with the links men as the music they played. He said he felt particularly affected by the soothing tones of the announcers which he described as “Ovaltine for the ears.” A particular hero was Jack Jackson, an eccentric early pioneer of broadcasting who spliced comedy albums into his links. This and a love of The Goon Show lead to many bedroom experiments with his home tape recorder.
In the early 1960's, young Maurice Cole made a demo tape of himself DJing called “The Maurice Cole Quarter of An Hour Show” (that only lasted eight minutes). A mixture of music, jokes and a re-editing of a John F Kennedy speech. This lead to an interview on the BBC's 'Midweek' programme on The Home Service, but sadly no job, not with the BBC anyway, as he failed his audition with the organisation due to a mixture of alcohol and nerves.
Through contacts at the BBC (or “Auntie Beeb” as Everett later renamed the organisation), he landed a job with the new Radio London pirate radio service, when it launched in December 1964. He was advised to change his name, like all the other pirate DJ's in the hope of warding off the attention of the authorities. Basing it on his favourite Hollywood actor, Edward Everett Horton. Debuting on Christmas Eve 1964, his astonishing abilities at writing, tape edits and jingles began to blossom very quickly. Firstly with his own show, and then with co-presenting 'The Kenny and Cash Show' with Dave Cash. This period also lead to the first of his many firings. His show was sponsored under the condition that during the programme he play a taped message by a fire and brimstone American preacher named Garner Ted Armstrong, under the banner 'The World Tomorrow'. Tired of listening to what Everett felt were bigoted and insane ravings, he started to ridicule these recordings, or just not play them at all. He thought he could get away with this as he reckoned that the management of Radio London didn't listen to his show. Unfortunately for Everett, Garner Ted Armstrong himself did, on a surprise visit to Britain. Everett was sacked for six months. He had a short stay with Radio Luxembourg, but he was fired again when he admitted smoking marijuana in a newspaper interview.
Links -
* 1965 06 00 R London 0836-0849 Kenny Everett
* 1965 07 00 R London - Kenny and Cash (46 mins).mp3
* 1965 09 02 R London 1707-1806 Kenny and Cash
* London 02.09.1965 17.07 to 18.06 Kenny & Cash Live At The Marqee Club
* 1966 04 12 R London - Kenny Everett - Top Deck Show
* 1966 07 26 R London 1800-1900 Kenny Everett (airchecked, 23 mins)
* 1966 07 29 R London 0703-0804 Kenny Everett
* Radio London 12/04/1966 KennyEverett - TopDeckSponsorShow
* London 29.07.1966__07.03_to_08.04__Kenny_Everett.mp3
* 1967 02 04 R London 1430-1500 Kenny Everett
* London 04.02.1967__14.30_to_15.00__Kenny_Everett
* Radio Skuesreel with Kenny Everett 25.02.67
* 1969 04 21 R Luxembourg 0015-0045 Kenny Everett
* Another Luxembourg show
* The Rusty Ships 1 - Radio London (Essex Radio August 30 1982)
* The Radio London Story 1 (of 3)
* The Radio London Story 2 (of 3)
* BBC London remembers the pirates Part 1 Part 2
*Summer of 67 - Life on the Ocean Wave (Radio 1 documentay September 25 1977
On his return to Radio London in 1966, Everett was sent on an exciting mission to tour with The Beatles round America. This eventually lead to a long friendship with the Fab Four. Though at first, Everett didn't have a clue how to interview anyone. For the first few days, the most penetrating question he asked any of them was “how's it going?” Eventually, The Beatles took pity on him. Paul McCartney pulled him to one side and said if Everett asked him one question, he'd give an answer lasting ten minutes, which he did. He was the first DJ ever to play 'Strawberry Fields Forever' and 'Sergeant Pepper's Lonely Hearts Club Band'. He even took acid with John Lennon, walking around his garden, both in a haze. Later Everett attended one of the recording sessions for the song 'I Am The Walrus'. When Lennon reached the lines “sitting in an English garden waiting for the sun, but if the sun don't come you get a tan from standing in the English rain”, he said to Everett “that's about us, that day, remember?”, Everett didn't know what he was talking about.
Links -
* Radio London Kenny Everett & Duncan Johnson - Beatles Show 2/2/1965 1730-1830
* Pirate Radio Hall of Fame - Kenny Everett tours the USA with The Beatles
* Realmedia audio extract of Kenny Everett reporting on The Beatles tour to Radio London in 1966 (direct link)
Everett finally joined the BBC proper in March 1967, where he presented the weekly pop programme 'Where It's At' on the BBC Light Programme. Everett was also there at the start of Radio One at its launch that year, presenting 'Midday Spin'. By January 1968 he was presenting 'Kenny Everett's Weekend Morning Show'. Featuring popular characters like Gran and his butler Crisp. Later, when Everett felt the show was sticking too much to a formula, he introduced a new character, a teutonic computer who would order Everett to play the next disc. Very much at the centre of the swinging sixties, all was going well until July 1970, when Everett was fired by Radio One. The story at the time was this was because he'd made a suggestion that Mary Peyton, the then Minister for Transport's wife, who it was reported had just passed her advanced drivers test had “probably crammed a fiver in the examiners hand”. It seems that the incident was badly handled, and George Peyton later revealed that he thought the punishment was too extreme and that had Everett been asked to make an apology, he would have asked the BBC governers to reinstate him. Many have since claimed that the real reason he was fired was because Everett was making too much of a fuss about the musician's unions restrictions on broadcasting. In those days, a quota of music had to be played by inhouse musicians at the BBC (John Peel remembers having to play a version of Purple Haze by The Northern Dance Orchestra).
Links -
* BBC R1 - Radio Radio - Kenny Everett (58 mins) Everett reminisces in 1986 on his DJ history
During 1970 to 1973, Everett recorded shows for Local BBC Radio in Bristol, Solent, Medway, Merseyside, Brighton and Nottingham, all made in a recording studio in his home. He was dismissed by Radio Solent after enthusing on-air about the arrival of commercial radio, although other regions seem to have allowed the same show to air without objection. He also hosted the BBC Radio 4 Children's show “If It's Wednesday, It Must Be” alongside Kenneth Robinson, Ivor Cutler and Vivian Stanshall, and a Christmas Special for Radio 4 called Everett On Everett. He briefly returned to Radio One in 1973 for a weekly show, but the management insisted this too had to be recorded beforehand. This ended on the 30th of September 1973 when he left for commercial radio.
Links -
* 1971 12 00 BBC R Nottingham - Kenny Everett (92 mins)
* 1973 09 28 BBC R1 (247m) 1300-1313 Kenny Everett - Last Show
* 1979 - BBC R Merseyside - The Kenny Everett Interview (35 mins)
In 1973, Everett joined Britain's first official independent radio station Capital Radio, serving the London area. He was soon back hosting with his old Radio London colleague Dave Cash. The two of them even hosted a show where they pretended to still be on the old pirate ships. This was where he unveiled one of his most popular characters, Captain Kremmen, an intergalactic space hero (“it's not for no reason that they call me the greatest human being ever to have lived”). Another popular feature was The Worlds Worst Wireless Show. In which Everett asked listeners to send in the worst records ever heard for which he compiled a top forty (in 1978, and again in 1980). This also lead to a successful spin-off album in green vynil (meant to signify the colour of sick).
Links -
*1980 article on Captain Kremmen film premiere
* 1974 11 12 Capital R - Kenny Everett (5 mins)
* 1976 01 01 Capital R 1302-1400 Kenny Everett & Roger Scott
* 1976 12 00 ILR - Kenny Everett (48 mins)
* 1976 12 17 ILR - Kenny Everett (48 mins)
* 1977 00 00 Capital R 1200-1300 Kenny Everett - Bottom 30 (30-15)
* 1977 00 00 Capital R 1300-1400 Kenny Everett - Bottom 30 (14-1)
* Kenny Everett - Capital Radio (London) July 1977
*Complete Captain Kremmen episodes
At the height of his success on television, he returned to radio. This time on the more middle of the road BBC Radio 2 in October 1981. This saturday morning show was short lived after he was fired once again, this time for making the following joke:
“When England was a kingdom, we had a king. When we were an empire, we had an emperor. Now we're a country, and we have Margaret Thatcher.”
Everett's producer of the time has always contested the 'sacking' story, claiming that his contract had coincidentally run its course and was not renewed by mutual agreement.
Links -
*Kenny Everett from Oct 81 (Radio 2 Sunday 30 Sep 07)
*Christmas Foreverett (Radio 2 Dec 25 1996) (tribute hosted by Noel Edmonds)
In 1988, having turned his back on his television sketch shows, Everett returned to radio. This time at Capital Radio's 'golden oldie' station Capital Gold, where he would work until he became too ill to in 1994. Working alongside many of the same DJ's he had at the start of his career, and playing many of the same records. When he made a public announcement of his illness, he was filmed walking into the station's building, surrounded by a mob, with other DJ's. He jokingly said “I'm dying, and they still prefer Tony Blackburn's autograph”. A month before he left the station he was awarded a Gold Sony Award for a lifetime's service to radio.
His entire personal tape collection, lasting around 80 hours, resides in the National Sound Archive. His sister Kate Horgan having copied it all for them.
Links -
Everett's 1968 television debut was co-presenting a mix of sketches, jokes and archive film clips with future feminist icon Germaine Greer and star of Candid Camera, Jonathan Routh. Nice Time was made by Granada Television and only shown regionally at first, though eventually spread out to other regions. For the second series, Sandra Gough also co-presented. She would later go on to play Paul and Pauline Calf's mother. The series was produced by John Birt, who would later go on to become Director General of the BBC. Everett's theme tune to the series, co-written with John Birt, was released as a single. Its b-side 'And Now For A Little Train Number' is now highly rated by afficionados of British psychedelia.
Straight after Everett's sacking by Radio One he was hired by London Weekend Television for three separate series by new head of comedy Barry Took. All three were broadcast almost back to back in 1970.
Everett presented this pop music and comedy show. The assumption being that if Everett was stuck in front of a camera to do his radio show, it would have the same effect, which did not prove to be the case. He even brought along Brain Colville again to play his butler Crisp. Film clips were shown, like the dancing mushrooms from Fantasia that Everett described as “gorgeous”. It was the first show to use spiral animations, one set to 'The Hens March' by Fairport Convention. A very fashionable style of animation at the time and later used in the Old Grey Whistle Test's animation of Pink Floyd's 'One Of These Days'. There was a specially filmed piece for the series where he dressed up as the Pied piper with a tin whistle. There were 10x30min shows
IMDB page
Claim of footage discovery under LWT floorboards
Missing Episodes forum member reminisces about watching this show
Seven days after The Kenny Everett explosion imploded, came this six part series showcasing Bob Kerr's Whoopee Band, who were in a similar vein to The Bonzo Dog Doo Dah Band or The Temperance Seven. Each week from a club in Putney, Everett would introduce numbers by the band. There were 6x30min shows
Exists complete in the archives
Video featuring 1970 starting titles (all Whoopee Band, no KE)
Bob Kerr interview (includes discussion of this show)
Whoopee Band website
A week after Making Whoopee ended, in almost the same slot, Everett returned again with Crisp and Gran in a show that mixed chart music and linked archive footage and comedy sketches. Guests included The Bee Gees, Thunderclap Newman, Vanity Fare, James Cossins, Marjorie Proops, Ena Baga, Dave Dee, Cyril Fletcher, The Tremeloes, Barbara Cartland, Stromboli And Silvia, Pickettywitch, Jack Good, Lance Le Gault, Maurice Woodnuff, Gilbert O’Sullivan and Dave Edmunds. There were were 9x30min shows in 1970, and a 4x30min shows in 1971.
List of missing episodes from the archive (all of them sadly)
Missing Episodes forum - Mention of an Ev compilation in existence
Missing Episodes forum discuss a 15-20 min compilation of Ev shown at Missing Believed Wiped
Missing Episodes forum mention of episode with Labi Siffre as guest playing a song in paisley shirt / neck scarf. Album track with lyric 'pretty little girl, pretty little girl in a red dress playing in the sun..' and more info on said episode here too
Mausoleum Club forum discussion about KE's early TV work
Missing Episodes forum discussion about KE's early TV work
Missing Episodes forum discussion about KE's contribution to ITV arts show Aquarius around this time
An almost forgotten BBC 2 satire show from 1972. As well as regular appearances from Everett, it features Vivian Stanshall, Clive James, Eric Idle, Ivor Cutler and John Wells.
In the mid-seventies, Everett did the voice over work for the ITV quiz show Celebrity Squares starring Bob Monkhouse. This and other work voice over work raised his profile, and Everett felt very comfortable in the role, as it meant no harassment of being recognised in the street. Everett was also the voice of the cat in the famous “Charlie Says” commercials.
The show that truly made Everett a television star. It all began when Philip Jones, head of Entertainment at Thames Television asked his son if there was any one that wasn't on television he thought should be. “Kenny Everett” his son instantly replied. Jones signed him up immediately. At first the show had a vaguely similar set up to the LWT shows earlier in his career. Everett stuck in front of a camera introducing pop music of the day. But by this time, video technology had advanced enough that he could wildly experiment with pictures in the same way he could with sound. With the help of writers Barry Cryer and Ray Cameron (who Everett had earlier worked with on in Up Sunday), the comedy eventually took over from the music almost completely. Together they invented such characters as Sid Snot, Marcel Wave and Brother Lee Love. The show also featured an animated version of his long running radio serial Captain Kremmen. Such were the success of these Kremmen The Movie was released as a b-feature to the Village People film 'Can't Stop The Music' in 1980. The show also featured an impressive rota of celebrity guests such as Rod Stewart, Billy Connolly and Freddie Mercury (who flew over from America just to appear in a single thirty second sketch). The final series was retitled The Kenny Everett Video Cassette, this time featuring Kremmen sketches in real life (with Anna Dawson playing the part of romantic interest, Carla. But by this time relations had soured with the station. A mini-soap opera Everett, Cryer and Cameron had though up titled “The Snots” had been rejected by the “Lord Thames”. This and the decision to put the show up against the then highly popular Top Of The Pops lead all three to quit the channel and head for the BBC.
All shows exist except for the pilot episodes
Note - These shows were re-edited for the American market as the 'Kenny Everett US Show'
The Sketch Guide for The Kenny Everett Video Show, Episode by Episode
Everett returned to the BBC with this wildly successful sketch show. Though not without copyright problems from Thames, who were being very difficult about the same characters being reused on the opposition channel. So Gizzard Puke was invented, which its creators later admitted was just Sid Snot in a different costume. One of the things that made the Thames shows unique was the Everett would film sketches to an audience that solely consisted of behind the scenes crew. This time, the BBC insisted he film in front of a live studio audience, something Everett had never been comfortable with but eventually took to with aplomb. After several series, Everett, finding himself in a Quasimodo costume hanging upside down, decided to quit the show there and then in 1988.
The Sketch Guide for The Kenny Everett Television Show, Episode by Episode
Although with artistically lesser work, Everett still managed to keep a TV profile for several years after he stopped doing sketch shows.
Broadcast in the morning schedule in 1988, and according to ukgameshows.com a “surprisingly good science quiz which sadly only got one series, due to circumstances beyond its own control”. Co-presented with his glamourous sidekick Cleo Rocos from his BBC sketch show. Involving contestants losing watts of power if they got a question wrong till they evaporated. On the last show, Everett got down on his hands and knees and begged for another series. This was not to be as Everett was diagnosed with HIV a month later.
Two teams of three celebrites battle it out to see who had the most knowledge about showbusiness. Mike Smith was the host and Everett and Gloria Hunniford were the team captains. Everett was on the show from 1989 to 1993.
A 1992 quiz hosted by Everett, with Danny Baker, Jan Ravens, Steve Punt and Carol Vorderman.
An early contributor to the home video market.
Two Captain Kremmen records were released
Links -
known London monuments to good and sometimes bad taste]
# He is shown at home at his country farmhouse in Sussex, where he has lived since he was sacked from BBC. Also attends press reception prior to his return to the BBC on Radio Bristol. Kenny at home in Sussex: gives guided tour around his C14th farmhouse. Garden: Tour of garden - especially vegetable patch (0-2m56s). intro to gardener 'Joe' - does imitation of a dog fight with Kenny's dog (-4m27s). Tour of living room - has tried to keep it as much like the C14th as possible (-6m02s). Music Room: Brief s' (-6m16s). Continues tour upstairs - dressing room and bedroom (-7m41s). Kenny sits at kitchen table - turns on radio which plays montage of his comic adverts and jingles - mimes to them
# Press Reception: Tells the press that he is not bitter about his dismissal from the BBC - he got alot of profitable publicity from it. Looking forward to going back to broadcasting (7m41s-9m10s). Finds it amusing to be interviewed byone end of the BBC about being sacked from the other (-9m25s). Ext s' Broadcasting House - pan down to Kenny poseing for press photographers (-10m08s)] - BBC Infax
Note - KE was a huge fan of this show, and several missing episodes have been returned to the archives from his own personal video collection. Link