Hello people. A little bird told me about this thread, and I couldn't resist popping in to contribute, as it was indeed me that first mentioned this record.
"TOK" is not the release code, but the publishing company: "(R) TOK MUSIC 1984". Note, "(R)", not "(P)" nor "(C)" as you'd normally expect, so either a typo, or deliberate misdirection, or there's something I don't know. :-)
"UPYAWS" is neither the artist nor the song title, but the catalogue number - "Up yaws 2".
The record label is indeed "Tell it like it is records.", but there's also something that looks like a distributor's logo that says "RLR". Like Lee, when I went hunting based on these clues a few years back, I ended up at numerous brick walls somewhere in the dancey end of The Low Countries.
"Dedicated to _ _ _ _ _" might be the title, but I think it's more likely that it's just a mysterious note on the label. The record shop I bought it from was an old-school independent (Parrot[t?] Records in Harlow), and they would put the cardboard sleeve of the record out into the shop inside a clear plastic sleeve, upon which they'd put one of those little white stickers you can get from W.H.Smiths, upon which they'd handwrite the artist and title - especially useful as there was a trend at the time for sleeves to be wilfully obscure at times, e.g. "New Order - Brotherhood". In the case of our friend here, there were two stickers, one above the other, which said exactly the following (although the line-breaks might be slightly wrong):
File under: 'ONE-
SIDED 12" by UNKNOWN
TOP-TEN ARTIST'
(warning, contains
some naughty
words!!)By which I took it to mean that the record had been supplied to them by the distributor under that name.
The only other clue is that on the run-out groove it says "BUCKIM + RISKIT *" and nothing else, not even the "Upyaws 2A" catalogue number.
Most of my friends at the time thought that Captain Sensible was indeed involved (hello tagger!), especially as he'd been in the top-ten not long beforehand with "Glad It's All Over / Damned On 45", which was released on 24th March 1984 and got to number 6. (He had, of course, also been to number 1 with "Happy Talk" back in 1982.)
I still wouldn't rule out the Brian Conley thing, but I'd say it sounds rather good for a Portastudio recording, something like a Fostex or Tascam 8-track reel-to-reel setup seems more plausible. Quite a few muso shops were doing deals for a complete system (mixer and tape deck) for about £2000 at the time, as opposed to about £500 for a 4-track portastudio, I was almost tempted myself at one point.
Somewhere on an old PC I have my original post about this interesting artifact saved; however that's not up-and-running right now, but I don't
think there's any more to add. Except, here's my original scans of the label:
[spoiler=A-side]

[/spoiler]
[spoiler=B-side]

[/spoiler]
[spoiler=Run-out Groove]

[/spoiler]
also, here's a brand-new remastered-from-the-original-WAV-file 320k MP3:
http://www.sendspace.com/file/yb6anrOnce I dug out my own copy, it turned out that the original MP3 was only 128k, had been made with some ancient thing (well it was 2002!) called BladeEnc, and sounded a bit gurgly in places. Sorry
EFB if you've spent all day hunting for it - I spent quite a while looking for my own copy, which I found on an old CD-R (I wish I could be as confident that the DVD-R burns I do today would be so readable in six years time!). Also, apologies for the dreadful turntable noise, in my defence I can only say that it wasn't MY turntable, it was done for me by a kind friend with good ripping skills but a lousy deck, sorry!
By the way, how much did you pay for it,
Lee? I think mine was £2.49 or possibly £2.99. And if you're still in touch with Chris, or if he visits here, I'd be interested to know where he bought it, as when
Gazeuse and I were chatting about it a few years ago he wondered whether it had just been hand-distributed to a few shops near Brian Conley's home turf of Hertfordshire...