Kind of growing on me. I just wish it weren't so peurile. Some of the back and forth and quips are great but its very laugh free sometimes with the 'lol gay faggot' material.
This might not win you over, but in an odd way it's kind of crucial to how the show works. It's entirely improvisational so the flow of the episodes is kind of like listening to an experimental album where the complex, catchy songs are spread out amongst formless, loosely cluttered interlude pieces. An entire album duration of the big stuff might even be too much to digest, especially when you consider how feverish, convoluted or downright crass the stronger content is.
Picture it like "Disco Volante" but instead of avant-garde jazz with flashes of metal, noise, techno and traditionalist music, it's stupidly elaborate and hilarious bits launched from scraped-off-the-U-bend puns and observations, floating in a sea of Adam is a cuck and Stav is a fat bitch.
Plus it allows for a super real listening experience. During my lengthy peak of listening to the first hundred or so, it often felt like I was sitting in the room with them. It has about a 70% hit rate, in terms of overall quality and based on each episode, but when it hits, it's incredible and I feel like what it's doing is strangely important, artistically. Nick Mullen is, dare I say it? a troubled genius?
