Author Topic: Production Disasters that Turned Out Okay  (Read 2471 times)

buzby

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Re: Production Disasters that Turned Out Okay
« Reply #30 on: December 13, 2018, 09:58:43 AM »
There's also several bits of footage of it not working in the numerous docs that have been made over the years.  I seem to also remember an out-take where it grinds to a halt mid-bite and you hear loud hissing as the pneumatics/hydraulics get fucked up.
Ridley Scott had a similar problem with the suit in Alien - it looked too much like a skinny tall man in a suit wearing a headpiece, so he decided to show it only in closeups, or heavily disguised by shadows and lighting effects. The version of Lambert's death that ended up in the film versus the one from  the deleted scenes is a good example of this decision paying off

Scott's most famous production disaster was of course Blade Runner, which even in it's original form turned out ok despite having a terrible working atmosphere onset, being effectively unfinished and editorial control being taken over by the production insurance bondholders due to going over budget.

Re: Production Disasters that Turned Out Okay
« Reply #31 on: December 13, 2018, 01:22:07 PM »
Pretty much every Terry Gilliam film.  Swear that man has a curse on him - or maybe it’s that he publicizes his disasters whereas others keep them quieter.

St_Eddie

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Re: Production Disasters that Turned Out Okay
« Reply #32 on: December 13, 2018, 03:35:49 PM »
Yep, you can see it not working in all of that footage. I get why people might be suspicious of the story behind the making of Jaws, as it almost sounds too good to be true, but the documentation is all there.

Indeed.  Heck, even the 2012 feature-length documentary (as found on the Blu-Ray release) is knowingly titled The Shark Is Still Working.

Re: Production Disasters that Turned Out Okay
« Reply #33 on: January 09, 2019, 09:14:59 PM »
Ant Man seemed to have a pretty troubled production, but turned out really enjoyable.

Re: Production Disasters that Turned Out Okay
« Reply #34 on: January 10, 2019, 06:41:48 PM »
I don't know if anyone has mentioned it, but The Revenant had some bad on-set reports while it was being made, mostly because of the part of the world that they shot it in (not unlike the similarly problem-plagued and Tom Hardy staring Fury Road... ).  I remember watching the first trailer and thinking "I'm getting serious Heaven's Gate vibes from this..." 

The film became a big hit and won Dicaprio an Oscar.
« Last Edit: January 10, 2019, 07:24:42 PM by goinggoinggone »

Brundle-Fly

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Re: Production Disasters that Turned Out Okay
« Reply #35 on: January 10, 2019, 06:52:34 PM »
Rogue One (2016) had significant cuts and hasty reshoots before its release five months later. Seemed to be well received.

Re: Production Disasters that Turned Out Okay
« Reply #36 on: January 11, 2019, 10:18:35 AM »
Ant Man seemed to have a pretty troubled production, but turned out really enjoyable.

I think the only problem was Edgar Wright leaving quite close to filming that sort of thing happens quite a lot. I think actual production itself wasn't too bad. I don't think there were on-set issues or massive reworking of parts of the film that typify a troubled production

gilbertharding

  • Not even the rudest man in the Beatles
Re: Production Disasters that Turned Out Okay
« Reply #37 on: January 11, 2019, 03:31:53 PM »
I can't remember any specific stories, but I remember what seemed to be months of rumours and jokes about Titanic being a sure fire dud.

I remember stories that being on the set of Titanic was nearly as dangerous to life and limb as being on the actual ship - and watching the finished product you can see why - but not people saying it was a turkey. 

NoSleep

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Re: Production Disasters that Turned Out Okay
« Reply #38 on: January 11, 2019, 03:42:15 PM »
Waterworld.

It doesn't make "okay" by any stretch. I'm hard pushed to think of anything good to say about it.

Re: Production Disasters that Turned Out Okay
« Reply #39 on: January 11, 2019, 04:21:06 PM »
I remember stories that being on the set of Titanic was nearly as dangerous to life and limb as being on the actual ship - and watching the finished product you can see why - but not people saying it was a turkey. 
It was more the ballooning budget that I remember reading about. The expectation seemed to be that it would be an overambitious flop, along the lines of Heaven's Gate or Cleopatra.

Re: Production Disasters that Turned Out Okay
« Reply #40 on: January 11, 2019, 09:29:24 PM »
Ridley Scott had a similar problem with the suit in Alien - it looked too much like a skinny tall man in a suit wearing a headpiece, so he decided to show it only in closeups, or heavily disguised by shadows and lighting effects. The version of Lambert's death that ended up in the film versus the one from  the deleted scenes is a good example of this decision paying off

Scott's most famous production disaster was of course Blade Runner, which even in it's original form turned out ok despite having a terrible working atmosphere onset, being effectively unfinished and editorial control being taken over by the production insurance bondholders due to going over budget.

Now you've mentioned Alien, I must point out that in Alien 3 (better than people say it is) they had to abandon their initial plans of strapping stuff to a whippet because it looked ridiculous.




Re: Production Disasters that Turned Out Okay
« Reply #41 on: January 11, 2019, 09:38:05 PM »
DOGGO3
Alien 3 (better than people say it is)
Worse than some people on here say it is though.

Re: Production Disasters that Turned Out Okay
« Reply #42 on: January 11, 2019, 09:57:35 PM »
It'd be pretty good to get a coat like that to stick on your whippet/greyhound/lurcher though wouldn't it? The normal velcro coats make them look rubbish.

Re: Production Disasters that Turned Out Okay
« Reply #43 on: January 12, 2019, 05:08:35 PM »
Rogue One (2016) had significant cuts and hasty reshoots before its release five months later. Seemed to be well received.

Does I think make it easier to believe the idea that Gilroy was brought on more to work with Edwards rather than replace him, I mean I think you see the difference compared to Solo that very much feels like a film that's been repurposed away from its original intent when Howard took over.

icehaven

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Re: Production Disasters that Turned Out Okay
« Reply #44 on: January 13, 2019, 03:25:54 PM »
I haven't seen it yet but didn't Bohemian Rhapsody take years to get made and have a lot of off-screen hassle (Sacha Baron Cohen dropping out, issues with the director etc.) Seems to have done pretty well though.

Brundle-Fly

  • I'm so Avant-garden variety
Re: Production Disasters that Turned Out Okay
« Reply #45 on: January 13, 2019, 05:00:15 PM »
The original cut of Fat Slags (2004) was originally only an hour long and they had to quickly tag on another twenty-five minutes of pointless back story to make it a proper feature film. It won a Golden Globe that year.

St_Eddie

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Re: Production Disasters that Turned Out Okay
« Reply #46 on: January 13, 2019, 07:25:52 PM »
The original cut of Fat Slags (2004) was originally only an hour long and they had to quickly tag on another twenty-five minutes of pointless back story to make it a proper feature film. It won a Golden Globe that year.

Same exact thing happened with Sex Lives of the Potato Men (also 2004).  2004 was the apex of the British film industry.

kidsick5000

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Re: Production Disasters that Turned Out Okay
« Reply #47 on: January 14, 2019, 07:35:23 AM »
Ant Man seemed to have a pretty troubled production, but turned out really enjoyable.

Prolonged rather than troubled.
It really just took a while in the preparation stages, and then director and studio amicably parted

Ant Farm Keyboard

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Re: Production Disasters that Turned Out Okay
« Reply #48 on: January 14, 2019, 05:44:54 PM »
Barry Lyndon.

First, Robert Redford turned down the lead part. Then, Kubrick would spend days on set without filming anything, asking instead his crew to call him "Isaac." The production started in Ireland, and they ultimately stayed there so long that the assistants were becoming quite close to local girls. That was the moment the IRA sent threats to the production for them to leave, because the locals didn't want some of the girls to get pregnant with a British bastard. Kubrick left basically overnight, with a few scenes missing.
They later worked on the war sequences, that involved German captain Potzdorf. Oskar Werner (Lola Montès, Jules and Jim) was originally cast, but he was fired after three weeks, due to his drinking, and replaced by Hardy Krüger.

During post-production, Kubrick asked composer Leonard Rosenman to write and direct orchestral arrangements of a few pieces. Kubrick was there for the recording sessions, and requested something like 106 takes of one particular cue, as he felt the performance was one third of a beat off. Rosenman then tried to strangle him, prompting Kubrick to say, "You're crazy." Rosenman remembered this moment quite fondly.
« Last Edit: January 14, 2019, 05:59:01 PM by Ant Farm Keyboard »