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Songs were the outro is not in the rest of the song

Started by SteK, November 07, 2019, 01:48:39 PM

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NJ Uncut


Ambient Sheep

Can't believe the thread's onto the second page and nobody's mentioned Supertramp - The Logical Song yet:

https://www.youtube.com/watch?v=CVOc-SM8kHc&t=2m30s

Surely one of the most definitive examples?  Radical key change (from G minor to C major) an' everyfing.

NoSleep

Quote from: greenman on November 07, 2019, 06:12:37 PM
No Sleep or someone posted that Alto album a year or two ago and I'v been listening to She Knows its Gone ever since, goes all Jeff Beck at the end.

https://www.youtube.com/watch?v=sLXPM69BeWE



Can I just categorically state that it wasn't me. Absolutely not. Never.

Endicott

zero 7 - morning song

The transition is at about 3 min 50s so its quite a long outro.



Ben Folds Five - Underground

Mutates into a jazz piano passage for the final few bars.

https://youtu.be/jqADHn7SWlA


kalowski


famethrowa

Quote from: Bently Sheds on November 07, 2019, 07:19:48 PM
Stars of Warburton by Midnight Oil.

https://www.youtube.com/watch?v=F1b9oGV3apM

Only the Strong by Midnight Oil! Clanky stop start riffs and Garret's yelping collapses into a beautiful 4-chord strum and melody.

https://www.youtube.com/watch?v=VavzHgFT6M4 about 3:45

Ballad of Ballard Berkley

Quote from: kngen on November 07, 2019, 04:23:00 PM
On the subject of Jimmy Webb/Glen Campbell, Webb never intended Wichita Lineman to have Al De Lory's lovely orchestral coda, and I think resented its addition. But it's bloody magnificent, nonetheless.

One of the cruellest fades in pop, that. De Lory's coda should go on for at least another two minutes.

Ballad of Ballard Berkley

Quote from: idunnosomename on November 07, 2019, 04:51:25 PM
Hey Jude is the archetypal separate coda

See also: Donovan's Atlantis, although I suppose you could argue that the extended coda is actually the song proper, what with the intro being a spoken word piece during which Don waxes mystical about antediluvian kings and whatnot.

another Mr. Lizard



TheMonk

The long plodding bit at the end of Abacab by Genesis. Much improved in subsequent live (sped up) performances.


Johnboy

The Jam - In The Crowd (which I Am the Resurrection ripped off)


What about songs that are just lots of bits that aren't really repeated anyway? That's OK? Bohemian Rhapsody then.

wosl


Claude the Racecar Driving Rockstar Super Sleuth

The album version of Being a Girl by Mansun. Although the 'outro' actually accounts for the majority of the running time, so perhaps the first section (which was released as a single) should be considered an extended intro.

phantom_power

Quote from: Claude the Racecar Driving Rockstar Super Sleuth on November 08, 2019, 02:22:04 PM
The album version of Being a Girl by Mansun. Although the 'outro' actually accounts for the majority of the running time, so perhaps the first section (which was released as a single) should be considered an extended intro.

The album version of Song For Whoever by The Beautiful South has a coda that isn't in the rest of the song:

https://www.youtube.com/watch?v=FVXoWckBlq0

chveik


Brundle-Fly

My Name Is Jack - Manfred Mann

I always wanted the last three seconds groove out of this number to carry on for another minute.

https://www.youtube.com/watch?v=HqPI6bl0vjU

Brundle-Fly

Quote from: chveik on November 08, 2019, 02:28:40 PM
of Montreal - Lysergic Bliss

https://www.youtube.com/watch?v=s73iSXURYPo

All this recent talk of of Montreal on Oscillations has made me dig out my old albums. Thanks. They were bloody good.

flotemysost

About six minutes into Sir Psycho Sexy by RHCP Anthony stops rapping about his willy and it breaks down into a rather melancholy sounding strings instrumental for the last couple of minutes before fading out -  it doesn't really go anywhere but it feels at odds with the rest of the song.

Glebe

The ending of Cat Stevens' 'Peace Train' is lovely.

Quote from: flotemysost on November 08, 2019, 05:51:57 PMAbout six minutes into Sir Psycho Sexy by RHCP Anthony stops rapping about his willy and it breaks down into a rather melancholy sounding strings instrumental for the last couple of minutes before fading out -  it doesn't really go anywhere but it feels at odds with the rest of the song.

Also 'Knock Me Down', the female vocals and "It's so lonely..."

Quote from: Claude the Racecar Driving Rockstar Super Sleuth on November 08, 2019, 02:22:04 PM
The album version of Being a Girl by Mansun. Although the 'outro' actually accounts for the majority of the running time, so perhaps the first section (which was released as a single) should be considered an extended intro.

The last couple of minutes of the album version of Taxloss also fits this thread.
https://youtu.be/eccocyvDvPQ

Quote from: thecuriousorange on November 08, 2019, 12:26:56 PM
What about songs that are just lots of bits that aren't really repeated anyway? That's OK? Bohemian Rhapsody then.

Sensational Alex Harvey Band - Last of the Teenage Idols - prog, glam, hard rock and then finishes on a 50s doo-wop pastiche.

https://youtu.be/F31jAv6apWQ

buzby

#58
The outro to Every Little Counts, the final track of New Order's Brotherhood, goes from Walk On The Wildside-aping into a swirling wall of noise (Bernard holding down all the keys on the Emulator II with his arms) that ends in a record skipping (Steve wanted them to do a tape getting chewed up for the cassette version an a CD skipping for the CD version as well)

a duncandisorderly