The video playlists for each episode provide a lot of context for things younger viewers and Americans would be unfamiliar with, so there's no need to worry about it being before your time, Blinder. The farthest back I can remember is around 1984 (I was born a few months after the youngest contributor Sarah Bee in 1978), so a lot of the 70s/early 80s references were new to me too but I now know who, say, Ludwig and Little Blue are and I can hum the theme from Murphy's Mob.
I got up to CM#16 and am finally aware what "Hold on, here comes Jism" refers to, so I've jumped forward to #49 and will probably work forward to the new episode before going back to where I left off. It has come a long way from those early episodes; much better sound and editing for a start. I like the feature where Al reads through the contemporary issue of Melody Maker and lists the gigs each contributor could've attended. Good bit of extra scene setting.
At this stage, my ideal lineup is any combination of Parkes, Price and Kulkarni, but Taylor is the one who always makes me hiss "Yesss!" when his name is announced. I've really enjoyed every episode I've heard so far, but his appearances are on another level. I re-read that Quietus piece about Parklife for about the fourth or fifth time off the back of a 90s episode and it made me wish I had the financial power to commission a book about whatever the fuck he wanted to write about.