It's one of my favourite albums ('Date Stamp' being the highlight for me) but that ABC/Fry didn't manage to get close again (there were some good singles, but for me never again a really consistent high-quality collection) does make me wonder how much of the chemistry that makes this album so great was down to Trevor Horn.
After this, Horn nearly did what would have been Spandau Ballet's 'True' album, after he'd rescued their career by remixing 'Instinction', providing a much needed hit. Instead, he went off to work with Malcolm McLaren.