I can't stand James Brown either. When he died I hoped that all other musicians decided to have a rehearsal on the day of his funeral like he did when his band's friends or relatives died. What a tosser.
That's why I suggested the J.B.'s without him. I worked with three former J.B.'s (Fred Wesley, Maceo Parker & Pee Wee Ellis) and they shared your love for James and told me many a tale.
Oh I realise that.I'm not trying to shout you down, I think I mostly agree with you.
I'm sure there are people who dislike Erasure but I don't want to know them because they will have nothing to offer me. Likewise Beastie Boys.
Far enough. Cross The Track is of course a classic that instantly transports me back to my early 20s. Not that I'm old enough to have heard it on release but it was a regular in clubs I used to go in the late 80s. Yer Jive Turkeys and suchlike. I suspect I may even have danced to it at some point. And I practically never dance.
Absolutely Fabulous, DJ Culture, New York City Boy. And Heart, which everyone else seems to like but I think is shit. The case for the prosecution rests. I do love them though, but I think they have a bit of the OMDs about them in that their singles were either fantastic or dreadful, with no in-between.
I loved their initial run of 12 singles from West End Girls to It's Alright (except Always On My Mind which was OK and It's A Sin which I actively hated), everything since then left me cold.I've always assumed that's a me thing rather than a PSB thing.
I've never liked West End Girls And not (as someone once suggested) just because it topped the charts. I disliked it on first hearing. I think it's probably the worst track on Please.
I think Wrote For Luck is the worst track on Bummed.