I think Ultraviolence is pretty consistently good. It's aesthetically consistent throughout (could probably argue that for all of them though), and the back half is weaker, but not such that you could say it detracts from the whole. I'd say NFR and Ultraviolence are the most coherent records, and the best on that basis.
BTD has some great tracks, but I would argue much of it is fairly forgettable. I have a soft spot for the stylings of Honeymoon, and also think some of the 'deep cuts' are among the best of her output (Salvatore, Blackest Day, 24). The only one I can't really be fucked with is Lust For Life, and that's possibly because I've not made the effort with it.
How many great records are put out that are consistently great though? Based on my reasoning above, we're talking two pretty consistently fantastic records, and smatterings of greatness among what you could argue is filler. A record that most would be pretty proud of I think. Certainly any greatest hits would necessarily have to drop lots of truly great songs - the ten minute Venice Bitch for starters.
Not really getting much from the new one yet though - back to the topic at hand. It might be an aversion to werewolves.